Fury calls for a celebration, because not only is Brad Pitt’s hair finally fixed, but it sat atop the head of an actor delivering a fantastic performance in a really, really good movie. Better yet: the war between the Greek gods must be over, because Logan Lerman (aka demigod Percy Jackson himself) has returned to the mortal world to fight in a very different war, one told with enough haunting cinematography to linger in the minds of the audience long after the end. (In more neutral news, it turns out Shia LaBeouf was just kidding about giving up acting. Oh.)
Though devoid of a consistent story outside of “We’re being shot at in this location!” and “Now we’re being shot at in this different location!,” director David Ayer manages to create a great cast of US crewmen operating a tank in the middle of Germany during World War II. Especially effective here is the film’s sound effects during these fight scenes, featuring deep-felt, vibrate-the-clothes-on-your-back missile pops and booms that enthrall far deeper than the battle’s solid but understated visuals.